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		<title>Telling stories from around the world</title>
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		<description><![CDATA[Telling stories from around the world Before Open Access bookworms were putting their lives at risk (on wonky ladders) to get the latest research; The bookworm by Carl Spitzweg Everybody who has ever published anything on the Internet – or has been quoted there &#8211; seems to be going crazy about copyright and intellectual property [...]]]></description>
			<content:encoded><![CDATA[<div class="plus-one-wrap"><g:plusone href="http://the-international-online.com/hello-world/"></g:plusone></div><p> <iframe width="420" height="345" src="http://www.youtube.com/embed/UFC-URW6wkU" frameborder="0" allowfullscreen></iframe></p>
<p>Telling stories from around the world<br />
Before Open <a href="http://www.futondeco.com/6-lit-design/">lit</a> Access bookworms were putting their lives at risk (on wonky ladders) to get the latest research; The bookworm by Carl Spitzweg</p>
<p><a href="http://the-international-online.com/wp-content/uploads/2011/08/aden-ford.jpg"><img class="alignleft size-full wp-image-7" title="aden ford" src="http://the-international-online.com/wp-content/uploads/2011/08/aden-ford.jpg" alt="" width="228" height="170" /></a>Everybody who  has ever published  anything on the Internet – or has been quoted there  &#8211; seems to be going crazy  about copyright and intellectual property rights these days. This seems understandable given the   lack of control  an   author has over  their material once  it’s ‘out there’. The copyright discussion raises all kinds of issues about the material value of ideas and ways of trading them. Are  Google books allowed to digitise books without their authors’ permission? Do online press reviews, such as the German Perlentaucher, have to pay newspapers  for the extracts they use? And are bloggers allowed to reproduce lengthy quotes from other people’s works on their websites? And what about alternative publishing models for material that traditionally  has <a href="http://www.modernvapor.com/">electronic cigarettes</a> been hard to come by,  such as academic research?</p>
<p><a href="http://the-international-online.com/wp-content/uploads/2011/08/MG_1659.jpg"><img class="alignright size-large wp-image-8" title="_MG_1659" src="http://the-international-online.com/wp-content/uploads/2011/08/MG_1659-731x1024.jpg" alt="" width="384" height="538" /></a>The rise  of Open Access publication is a relatively recent development in the <a href="http://bestbadcreditcarloans.org/">bad credit auto loans</a> academic community. It is based on the principle of making up-to-date research  freely available to everyone interested without any subscription fees for journals or technical  impediments. There are  two alternative ways  of going about it: either via specific Open Access   journals, or via an author’s website <a href="http://www.hairremoverreviews.com/no-no-hair-removal-system">no no hair removal</a> or Open Access repositories that take articles previously published elsewhere.</p>
<p>Open Access has much to  recommend itself and  should be welcomed by academic  researchers,  scholars and scientists all over the world.  It’s particularly  useful to academics in developing countries who are often cut off from up-to-date research for lack of resources, and for independent researchers  without access  to the research infrastructure of a university.  It also helps distribute research results  faster and therefore creates higher impacts.</p>
<p>Consequently, Christoph Drösser recently argued in the German weekly Die Zeit that scientists and scholars often do not consider open access to their  texts a copyright infringement. On the contrary, many researchers would feel  constricted by the  lack of <a href="http://paleodietlifestyle.com/">paleo</a> freely accessible material: “Scientists put every effort  into their research being published in one of the (top-of-the-line) Bugatti journals whose annual subscription rates can cost their own  libraries five-digit euro sums,” he writes. “The  researchers never see the bill for  these journals, however, and <a href="http://bachelorettepartydepot.com/">bachelorette party supplies</a> their currency is not the euro but the journal’s ‘impact factor’ &#8211; reflecting how often articles published here are quoted elsewhere. The number of publications in such scientific flagships can be  decisive for a researcher’s career, <a href="http://www.wire-shelves.com">Wire Shelves</a> and for this they are ready to  give up their copyrights. They only start getting huffy when they can no longer access an article from their   computer at work  because their library  can no  longer afford the  subscription.”</p>
<p><a href="http://the-international-online.com/wp-content/uploads/2011/08/IMG00064-20090321-2158.jpg"><img class="alignleft size-medium wp-image-9" title="IMG00064-20090321-2158" src="http://the-international-online.com/wp-content/uploads/2011/08/IMG00064-20090321-2158-300x225.jpg" alt="" width="300" height="225" /></a>So Open Access, it seems, is academic heaven. It is part of the ultimate democratisation <a href="http://www.premierclaimsplus.co.uk/ppi_claims.asp">ppi reclaim</a> of  knowledge. Open Access (arguably)  is for academics what Wikipedia is for their first-year students: a quick, reliable and free source of information  that saves you the arduous trip to the library and allows you to access up-to-date research from your computer anywhere, or is  it?</p>
<p>Drösser might have  been <a href="http://www.organicspiceblend.com">k2 incense</a> too optimistic about academics’ selfless  attitude towards furthering knowledge distribution and less aware of their selfish gene. Bugattis might be expensive, showy and environmentally totally unsound, but lots of people still want to  have one. They don’t  want a small Seat Ibiza, a VW Polo, or a Honda Civic <a href="http://www.cabletrain.com/switches/hdmi-switch">HDMI switch</a> Hybrid. Research by Munich’s LMU university in Germany and the University of Arkansas at Little Rock in the US has shown that while most researchers welcome the fast and easy  <a href="http://ironreputation.com/">reputation management</a> access to information Open Access offers, few in turn are willing to offer their material  for online publication.</p>
<p>This ‘double standard’, as Florian Mann, Benedikt  von Walter,  Thomas Hess  and Rolf  T. Wigand  call it, arises  from the pressure  of research evaluations  that form the basis  for the distribution of  academic funding. For the dishing out of research money still depends on what the assessors consider the “reputation” of academic journals, even though the criteria that make the reputation of a  journal can be quite obscure and were most  likely established by the same <a href="http://www.quikbacklinks.com">buy backlinks</a> cliques of senior academics whose self-perpetuating elites have long excluded working-class students and minorities from the higher echelons of the academic classes.</p>
<p><a href="http://the-international-online.com/wp-content/uploads/2011/08/IMG00025-20090822-0045.jpg"><img class="alignright size-medium wp-image-10" title="IMG00025-20090822-0045" src="http://the-international-online.com/wp-content/uploads/2011/08/IMG00025-20090822-0045-300x225.jpg" alt="" width="300" height="225" /></a>However this   may be, as long as  academics are afraid to jeopardise their  careers  by publishing online and in ‘low-life’ journals the idea  of Open Access won’t take off. So I suggest  – and you won’t  hear me say that often: do it like the Germans. Offer a scrapping premium for dirty old Bugattis and let  people buy small,  environmentally friendly <a href="http://joann-fabric-coupons.com/">Joann Fabrics coupons</a> Volkswagens  instead. Long live the free exchange of ideas!  VWs for everyone!   Gaby Mahlberg</p>
<p>But academics are beginning to realise that there is more mileage from the VWs than from the Bugattis in terms  of recognition of <a href="http://www.fastcashloans.mobi">fast cash loans</a> their work as <a href="http://www.tehkseven.net/ringtone/apple-iphone-ringtones.html">ringtones for iphone</a> usage statistics are now starting to demonstrate. And there are now 4035 OA journals to publish in &#8211; some with the highest of standards  &#8211; and millions  of OA refereed published articles now  available from the &gt;1300 institutional  repositories. Moreover, 76 prestigious organisations (Harvard, MIT, Wellcome Trust, all Uk Research Councils .  . .) require their  funded publications to   be maade OA. So,  yes, long live the free exchange of ideas!</p>
<p>April  6th, 2009</p>
<p>„Na <a href="http://hereshowtoloseweightfast.com/">How to Lose Weight Fast</a> endlich,  die Twitter-Wall ist an!“ ruft der junge Mann und läuft die Stufen im Halbdunkel des Berliner Friedrichstadtpalasts hinunter. Auf der Videowand <a href="http://dspreviewed.blogspot.com/">the diet solution diet</a> der Bühne des großen Saals laufen farbige Kästchen mit  Twitter-Tweets in kleiner Schrift  von oben nach unten, die mit #rp09 gehashtagged und  über einen speziellen Channel sichtbar  gemacht werden. Sehr zur Freude der zahlreich anwesenden Blogger, Netzaktivisten und Techies, die sich zur dritten  re:publica, der Konferenz für Social Media und digitale Gesellschaft zusammengefunden haben. Das Motto: Shift <a href="http://www.abateacne.com/">acne scars</a> happens. Passend dazu heißt das Panel, zu dem Spreeblick-Gründer und re:publica-Mitveranstalter Johnny Haeusler geladen hat: „Medienwelt im Wandel“. Doch noch ahnen weder die Podiumsmitglieder noch Moderator Haeusler, dass  die Wall, <a href="http://www.homeguru.com.my">Property Malaysia</a>  die jetzt kurz vor Diskussionsbeginn noch als nettes Gimmick im Raum steht, die Veranstaltung gleich gehörig durcheinander wirbeln wird.</p>
<p>Noch ist es ruhig auf dem Podium, im Hintergrund leuchten  die Bricks der Twitter-Wall&#8230; Foto: Daniel Seiffert</p>
<p>Haeusler ist verständlicherweise zunächst mal nur froh darüber, dass endlich das WLAN funktioniert, das den ganzen Vormittag auf Deutschlands größten Blogger-Konferenz ausfiel – irgendwie so wie Bundesliga-Fußball ohne Ball, oder  Formel 1 ohne  Benzin  –  und erklärt  die  technischen  Details. Ein   Raunen geht durch  den Saal. Erstmal Twittern! RBB-Programmbereichsleiter Helmut Lehnert, der bei Radio Fritz in den 90er Jahren <a href="http://www.hottubworks.com/SpaCovers/Features.php">sundance spa covers</a> immerhin als  einer der ersten eine Online-Sparte aufbaute, kann sich nur schwer für  den neuen Trend  zum  Twittern begeistern. Die Meldung  über einen Flugzeugnotlandung auf den Hudson River in Echtzeit zu erfahren, sei kein Wert an sich. Und wie durch  ein Wunder ist die Twitter-Wall auch erstmal von der Bildfläche verschwunden &#8211; abgeschaltet.</p>
<p>Dezember  10th, 2008</p>
<p>Jonas Mekas, one of the most important experimental film-makers of the <a href="http://www.home-loans.org.za">home loans</a>  20th century, a Lithuanian who emigrated to the United  States in  the 1950ies, likes  youtube. Because it works in the same way   in which he has worked all his life. Conserving “glimpses of beauty”. Of course, this is a very optimistic  view about youtube. But thanks to youtube, we can see some  parts of Mekas’ 365 days diary film project, for which he filmed something each day, showing the waves at the Mediterranean  in Southern France,  but also  quoting the Kabbalah: evil is non-movement. This wisdom is like  a fire-starter for change, for trying new  things, for <a href="http://www.chirobizacademy.com">chiropractic marketing</a> not being afraid  of making mistakes. Because  mistakes are movement  and movement is better than stand-still. Jonas Mekas likes to see the simplicity, honesty and depth of life that surrounds and enters his own life,  he is an every-day-priest. Let’s change  our minds &#8211; if Obama doesn’t, at least we can! <a href="http://www.masterclean.com">Carpet Cleaning London</a> Nikola Richter<br />
The mood  among antiques  traders on London’s  Portobello Road market is  low. People simply don’t buy  antique furniture any more. And there’s a number of reasons  why. “It’s the currency, it’s the internet, it’s the economic climate,  it’s the dollar,” says Judy Fox, who owns an antiques <a href="http://www.yourmedicaresupplement.com/medigap-plans">Medigap Plans</a> shop on Portobello  Road. Most of all, people’s taste has  changed. “People now go for the minimalist  styles,” she  complains. They buy the cheaper, plain modern flat-pack furniture. “Especially young people don’t want antique furniture any more,” Fox  says. “Adverse auction sale publicity,” of what has been dubbed “dismal brown furniture,” doesn’t <a href="http://ukshoppingcatalogues.net/">catalogues</a> help the falling prices, according to the Antique Dealer &amp; Collectors Guide website</p>
<p>Even  people with old family heirlooms  don’t restore   them any more.  “They just try <a href="http://www.crossfitelevation.com">Crossfit Denver</a> to sell them off,” says Michael Barham, who  owns the shop  next door to     Fox’s. However, he thinks it’s a shame, as many of the  old pieces are of good workmanship. “The quality of all  these  things is amazing,”  he says as  he points at  a late 19th-century desk. “This  desk costs around 200 pounds  (397 dollars). If <a href="http://www.carinsurancequotesonline.co.za/">car insurance</a> you had that newly made in <a href="http://www.osirion.co.za/web_hosting">website hosting</a> the same quality, it would <a href="http://www.futondeco.com/172-couettes">couette bambou</a> cost you 1,800 <a href="http://www.e-cig-bargains.com/">blu cigs coupon</a> pounds  (3570 dollars).”Barham’s shop specialises mainly in post-1900 to pre-Second World War items. So many  pieces sell in the lower hundreds.  Only Victorian furniture is still more expensive, he says.</p>
<p>Yet, even those  who are still interested in antiques,  no longer buy as  much as they used to. Although thousands of  tourists work  their way through  the arcades and around the little stalls of the world’s largest antiques market in London’s colourful Notting Hill area, only few <a href="http://www.colo-divorce.com/">Denver Divorce Attorney</a>  of them are here to spend large amounts of money. They come in and look around,  and then they  leave again, Fox says.  Instead, collectors now buy a lot from specialist internet sites, who offer everything from delivery to restoration services online, and they have a  broad range.  Internet auction sites, such as eBay, have also contributed to the decline of  antiques shops, Barham thinks, although the prices some items of furniture fetch online seem out of proportion with their real  value. <a href="http://www.themarketinganalysts.com">Vietnamese translation</a> “People pay spectacular prices  for things that aren’t worth it,” he  says. “Many people who buy on eBay really don’t know what  they’re doing,” he adds.</p>
<p>But one of the worst problems for  shop owners, such as Fox and Barham, is the strength of the pound against the dollar, as many of their traditional customers have  been wealthy US  citizens looking to take home something  special from their European travels. “The US market is  still relatively conservative,” Barham  says. Customers from  the US like things that are old. But they can’t afford them any more. “There’s a complete lack of them [US  customers] now,” Fox says, while a young US couple with a child  is looking at an  oak letter box from the 1870s worth some 3,000 pounds. But they leave without making a purchase. “The dollar is too  weak,” Fox says, and the <a href="http://www.trotinettefreestyle.com">trottinette freestyle</a> economic situation in the United  States spills over into Britain. “I would  [buy something]  if the dollar-rate was  <a href="http://www.carinsurancecomparison.org">cheap car insurance</a> any different. But it’s just too expensive for me here,” says Mary Ruschmeier, a teacher  from Florida, who currently lives in  Germany, as she leaves the shop empty-handed. “So  far <a href="http://www.cellphoneaccessoriesv.com">Cell Phone Accessories</a> I’ve only bought a little medal for a student  of mine for 2 pounds, that’s about 4 dollars. That’s  all,” Ruschmeier says.</p>
<p>Nevertheless, Americans still like tradition.  “We like old things in the States,” says Joe from Pennsylvania, who now lives in the British Cotswolds and prefers not to give his  surname. “If you   have something from the 17th century, that’s  really special. And if we have something that our mother has passed down to us, then we’re really  proud,” he says. Ruschmeier agrees. “Yes, if we bring something back from the 17th century, that’s great. It’s ‘wow’, because we don’t have those  things,” she says. But for  today, they might have bought enough, Joe says, adding, “We’re just  here to  get off Leicester Square, where all the  other American tourists are.” Gaby Mahlberg<br />
Freitag-Herausgeber  Jakob Augstein verteidigt indes sein neues Konzept  des Community-Journalismus, das bloggende Leser  als Autoren der Zeitung einbindet, preist dies  als „gehaltvolleres Bloggen“ und mutmaßt: „Vielleicht fällt  die  Zeitung irgendwann mal weg.“ Er  bricht zudem eine Lanze für den professionellen investigativen Journalismus, der nötig  sei, um Politik und Macht zu kontrollieren, die wahre Meinung ja komme aus der Zeitung und nicht aus dem  Netz. Stimmt, der Freitag ist ja mit zweitem Namen  auch „das Meinungsmedium“. Leuten mit Macht sei die Blogosphäre  egal,  nölt Augstein und überhaupt: Das Netz sei diesbezüglich eigentlich noch ziemlich irrelevant.<br />
Das Publikum ist nun heiß gelaufen und tippt mit links Kurzmitteilungen ins Iphone und mit rechts Tweets  ins Netbook. Hinter dem schon sichtlich genervten  RBB-Mann Lehnert, der sich in seinem Twitter-Diss zu Beginn bestätigt sieht und die Wall als unfair abkanzelt, fährt sogleich ein „Heul doch“ hinter seinem Rücken herab. Die  Wall  sei eben kein „back channel“, sondern ein „in  your  back channel“, wie einer in dem Fall treffend und oldschool per SMS bemerkt.  Nachdem auch Moderator Johnny Haeusler realisiert hat, dass diskutieren, dem Publikum zuhören  und Wall-Lesen nicht gleichzeitig funktionieren kann, regt er an, dass man das nächste Mal die Wall vielleicht mit  einem großen Monitor vor dem Podium sichtbar machen sollte. Genau,  und in Zukunft sollten wir die Tweets dann auch per Wii-Control an die Wand  werfen können – oder gleich in die Gesichter der Diskutierenden – ganz ohne hashtags und Channel.  Shift happens eben!   Andreas Bock<br />
He is hailed as  a Saviour: Barack Obama, the new president of the United States of America. The European press greets him as „Messiah“ or as „our Hussein“, the man who will <a href="http://hcgdropscentral.com">hcg diet drops</a> bring peace and hope and prosperity to all &#8211; Americans.  Maybe also to the world. The cover <a href="http://www.bioskincare.com/stretch-marks/">stretch marks</a> pictures show him as a solitary hero walking up the stairs  of the Capitol, with a clear vision,  a warm smile and concentration facing Future, the Things Yet to Come.  Everybody seems to trust him already, although he has not yet done much,   instead of speaking and motivating the young and old, white and  black, rich and poor  – but this he does very well indeed.  And  these  achievments are admirable already, in these instable times. <a href="http://www.bin-store.com">Plastic Bins</a> Obama shots rather remind of movie heros like Will Smith in „I am legend“ or Keanu Reeves in „Matrix“ than of a politician with two wars to end (Iraq and Afghanistan), a financial  crisis to solve and climate issues to tackle. But look at him: He is positive and  reflexive, so that you do not need to worry. He is a model for each of  us. Here comes  the man who will save the  world  from harm. He  might not know   all the details of the plan yet – this is part of the suspense. But  be assured   that he <a href="http://www.autoinjurylaw.com">denver injury attorney</a> has capacities and  abilities that have made him the Chosen. You <a href="http://kineticsportsrehab.com">physical therapy Seattle</a> only need to believe in a happy end.  And don’t forget to get  some popcorn &#8211; it’s good for the economy. Shush now, the <a href="http://freeipads4you.net/">free ipad</a> movie  starts… Nikola Richter</p>
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